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January, 2011
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True Grit (2010) 4/5
2011-01-02 12:29
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The Thin Red Line (1998) 4.5/5
2011-01-02 12:28
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Pusher 3: I'm the Angel of Death (2005) 4/5
2011-01-02 12:28
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Martin (1977) 3.5/5
2011-01-02 12:28
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Logan's Run (1976) 2.5/5
2011-01-02 12:27
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Incubus (1965) 3.5/5
2011-01-02 12:27
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Hide and Seek (1999) 1/5
2011-01-02 12:27
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Pontypool (2009) 4/5
2011-01-02 12:26
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Pusher 2: With Blood on My Hands (2004) 4/5
2011-01-02 12:26
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The Limey (1999) 3.5/5
2011-01-02 12:26
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The Prestige (2006) 3.5/5
2011-01-02 12:25
0.3 November, 2010
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2010-11-16 20:21Rambo: First Blood (1982) 3.5/5
Not nearly as cheesy as the later films in the series, this is actually a pretty solid adventure-drama with some great damp and chilly shots of my beloved Pacific Northwest.
2010-11-16
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2010-11-16 20:20Secretary (2002) 4/5
Finally, a movie to use as a model for my future married life!
2010-11-16
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2010-11-08 20:09Hunger (2008) 3/5
Unfortunately, I come in with no knowledge of the historical events fictionalized here, and the film has no interest in actually engaging the viewer. In fact, it's so stark, insular, and obsessed with the bloody price of martyrdom that it kind of becomes a kind of IRA Passion of the Christ. I can appreciate it as an exercise (and there's clearly genuine talent here), but not as a film.
2010-11-08
0.3 October, 2010
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2010-10-24 23:36District B13 (2004) 2.5/5
So in District B13, the Paris of 2010 is overrun with murderous politicians, walled suburbs, and gangs armed with parkour and military-grade hardware. Meanwhile, the real Paris of 2010 is overrun with striking workers protesting a slight increase in the retirement age. That's not even close, District B13. Not even close.
2010-10-24
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2010-10-24 23:21The Friends of Eddie Coyle (1973) 4.5/5
The 1970s New Hollywood put out so many great films that even after you've seen all the famous classics, there are still dozens of lesser-known but totally brilliant ones to track down. Take, for instance, this Robert Mitchum gem. It may not be totally obscure, but until they recently started raving about it on Filmspotting, it never occurred to me to check it out. Am I ever glad I did. The story of an over-the-hill low-level Boston gangster with his fingers in too many pies, it's by turns warm and bleak, comic and tragic, and it may be my favourite Mitchum performance of all time, which is saying a lot.
2010-10-24
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2010-10-24 23:20Boogie Nights (1997) 4/5
I swear to God, you could place Boogie Nights right on top of Goodfellas and they would line up perfectly. I'm not sure this is a bad thing.
2010-10-24
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2010-10-23 18:48Duck, You Sucker! (1971) 2/5
There seems to be an attempt to re-evaluate Sergio Leone's last western as, well, not a lost masterpiece, exactly, but an unfairly forgotten work, at least. But with all due respect, its not. I admire the intent -- a scathing critique of both revolutionaries and their targets, but the pacing is too languid, the action is uninspired and it's metaphors too thuddingly simply and obvious. It's bravado cynicism of the "*I* don't believe in *anything*" sort, rather than icy gaze of an jaded observer like Jean-Pierre Melville.
2010-10-23
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2010-10-23 18:43Constantine (2005) 3/5
You know, if you ignore the comics the movie is based on and pretend that Keanu is playing a two-fisted exorcist anti-hero who happens to be named John Constantine, it's really not too bad a film. Some good set-pieces, well-cast supporting roles (especially Tilda Swinton as the angel Gabriel) and a nice gothic-pulp look. However, if you look at it like Hollywood's once chance to adapt everything that is awesome in Hellblazer, it's a crushing disappointment.
2010-10-23
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2010-10-07 08:29Talk to Her (2002) 3.5/5
Like most Almodóvar movies, this one took a while to draw me in, but once I was in, I was hooked (I'm a sucker for soap-opera-y plot twists). However, one thing that does not cross cultures well is bullfighting. When a toreador character is trampled in the ring by a wounded and dying bull, my first response is most assuredly not "oh, what a tragedy!"
2010-10-07
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2010-10-07 08:23Kung Fu Hustle (2004) 4/5
While packed full of references to Hong Kong and Hollywood films, rewatching this, the clearest antecedent is the Asterix books. It's paced at a breakneck speed, filled with cartoony violence and broad -- but affectionate -- characterizations, and celebrates a chaotic communal life protected by superwarriors over the harsh world just a few steps away.
2010-10-07
0.3 September, 2010
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2010-09-12 09:03Eraserhead (1976) 4.5/5
"So I just, uh... I just cut them up like regular chickens?"
2010-09-12
"Sure, just cut them up like regular chickens."
0.3 August, 2010
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(500) Days of Summer (2009) 3.5/5
2010-08-07 23:18
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Inception (2010) 4.5/5
2010-08-07 23:18
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Winter's Bone (2010) 4/5
2010-08-07 23:17
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Spine Tingler! The William Castle Story (2007) 3/5
2010-08-07 23:17
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2010-08-07 23:11Toy Story 3 (2010) 4/5
The Incredibles > WALL·E > Ratatouille > Toy Story > Finding Nemo > Wilson Toy Story 3 > Up > Monsters Inc > Toy Story 2 > Bug’s Life > Cars
2010-08-07
0.3 February, 2010
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2010-02-15 22:17Moon (2009) 4/5
Man, if there's one microgenre I really have a soft spot for, it's low-budget "hard" science fiction films, where story and character are... not unimportant, but secondary to exploring ideas in meticulous detail. Moon is the story of the only occupant of a lunar base (a brilliant performance by Sam Rockwell), and what happens when he's suddenly *not* the only occupant. It borrows hugely and openly from 1970s sci-fi, but its ideas are its own, and it's fascinating to watch them unfold.
2010-02-15
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2010-02-07 17:38The Bourne Ultimatum (2007) 4.5/5
Awesome movie, but what does the title mean? Shouldn't the second one, where Bourne threatens his former masters, be the ultimatum, and this one, where he kicks their collective asses, be the supremacy? It's a good thing it has some of the best action and suspense set pieces of all time to distract me from this, or I might get annoyed.
2010-02-07
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2010-02-03 12:39The Bourne Supremacy (2004) 3.5/5
The weakest of the Bourne trilogy, though I still like it more than the best James Bond movie. For one thing, there's actual suspense -- the conclusion doesn't feel preordained and Matt Damon's grim efficiency reminds us that the stakes are serious, a sharp contrast to Bond's glib sociopathy. It also takes place in something closer to the real world than the Bond films, though it's increasingly hard to buy the consequence-free international carnage being wrought by US interests.
2010-02-03
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2010-02-03 12:31The Bourne Identity (2002) 4/5
I picked up the Bourne trilogy on sale and I've been watching them in one-hour chunks before bed. The first one is definitely the most conventional, though it still has a lot of grit and a distinctive style, not to mention some pretty awesome stunt work.
2010-02-03
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2010-02-02 12:23The White Ribbon (2009) 4/5
In a small, pre-WWI German town, repression, cruelty and hopelessness grip the townsfolk like a vise, and mysterious violence starts to erupt among the generation that would grow up to create National Socialism. Knowing Michael Haneke's previous films, I was expecting something bombastic. While there's definitely a take-home message, what I found fascinating was the dissection of how the groundwork for such an ideology is laid.
2010-02-02
0.3 December, 2009
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2009-12-27 21:19Sherlock Holmes (2009) 3.5/5
I'll be honest: I was very pleasantly surprised how much I enjoyed Sherlock Holmes. Sure, the villainous plot was pretty boring and the female characters/beards were written so thin they barely existed, but Robert Downey Jr and Jude Law made an awesome Holmes and Watson, the action scenes rocked (and actually advanced the story!), and the film oozed all kinds of style. Screw fidelity to the source material, this was just the kind of crazy entertaining crime flick I was hoping for from Guy Ritchie.
2009-12-27
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2009-12-27 17:15Avatar (2009) 2.5/5
Just finished Avatar. Graphics rocked, awesome level design, but the cut scenes were pretty tedious. Still, kept me involved until the fight with the final boss. Wait... what? We were watching a movie!?
2009-12-27
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2009-12-27 16:55Let the Right One In (2008) 4.5/5
A grim, unromantic and genuinely creepy vampire movie, probably the best of its sort since the 1979 Nosferatu, which was also grim, unromantic and genuinely creepy.
2009-12-27
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2009-12-27 16:43Bad Lieutenant: Port Of Call New Orleans (2009) 4/5
With only the barest resemblance to the original Bad Lieutenant, this oddball blacker-than-black comedy about the "bliss of evil" might as well have been called Werner Herzog's Grand Theft Auto III, with Nic Cage channelling Klaus Kinsky impersonating Ray Liotta playing Tommy Vercetti.
2009-12-27
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2009-12-26 22:03Up in the Air (2009) 3.5/5
How good is George Clooney in this movie? Well, he plays an ultra-successful professional hatchet man who's just looking for someone who can look past his extraordinary wealth, status and good looks to accept him for the borderline-sociopathic asshole he is -- and he's still totally sympathetic. Dammit.
2009-12-26
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The Hangover (2009) 3.5/5
2009-12-26 16:52
0.3 October, 2009
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2009-10-25 16:13Drag Me To Hell (2009) 3/5
Sam Raimi isn't the most subtle of directors, but he sure can direct a scene. Thing was, after the truly embarrassing Spider-Man 3, I was starting to have serious doubts about his ability to direct a movie. Fortunately, there's no real doubt that Drag Me To Hell is pretty well-done, even though the over-the-top teen horror movie isn't a genre I'm especially fond of.
2009-10-25
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2009-10-25 15:54A Serious Man (2009) 4.5/5
in 1967, a mild-mannered physics professor starts to find his life unravelling by inches, but instead of complaining or giving in, he tries to understand God's plan by visiting three rabbis. Funny, cruel and infused with a bleak Jewish existentialism, even for a Coen brothers movie, this film has a lot to unpack. I need to see it at least once more to really decide what I think of it, but right now, I think it's kind of brilliant.
2009-10-25
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2009-10-20 20:52Colossus: The Forbin Project (1970) 3.5/5
At the height of the cold war, the US builds the ultimate supercomputer and puts it in charge of the nation's nuclear arsenal. What could possibly go wrong? This really isn't a great movie, but it has a lot going for it. It's got great 70s art direction, Edith Head doing the costumes and lots of loving shots of state-of-the art tape drives and orange monochrome terminals. It also has a pretty great way of dealing with the fact that most of the movie involves people interacting with a computer -- the computer action is set in a great ultra-70s-modern control room, which allows for appropriately imposing hardware and room for the human characters to yell and run as necessary. It also has a satirical bite, and a classic downer ending. Unfortunately, it never rises above the typical (lazy) Hollywood anti-science, isn't-logic-heartless sci-fi tropes, always a pet peeve of mine.
2009-10-20
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2009-10-20 20:44Crank (2006) 3.5/5
Hitman Jason Statham is injected with a deadly poison, and only adrenaline can slow it down. But only enough to buy him the time he needs to get revenge and/or a cure. Not quite the demented masterpiece of its sequel (Crank: High Voltage), but still a loopy and highly entertaining action film.
2009-10-20
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Galaxy Quest (1999) 3.5/5
2009-10-10 21:33
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Stranger Than Paradise (1984) 4/5
2009-10-10 21:33
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The Darjeeling Limited (2007) 3/5
2009-10-10 21:33
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Hero (2004) 3.5/5
2009-10-10 21:33
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Paprika (2007) 2/5
2009-10-10 21:33
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Control (2007) 2.5/5
2009-10-10 21:33
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Pusher (1996) 4.5/5
2009-10-10 21:33
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The Assassination of Jesse James by the Coward Robert Ford... 3.5/5
2009-10-10 21:33
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Henry V (1989) 4/5
2009-10-10 21:33
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Point Break (1991) 4/5
2009-10-10 21:33
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Bigger Stronger Faster* (2008) 4/5
2009-10-10 21:33
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Mongol (2008) 3/5
2009-10-10 21:33
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Blood Freak (1972) 1/5
2009-10-10 21:33
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Standard Operating Procedure (2008) 3/5
2009-10-10 21:33
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Kabluey (2007) 2/5
2009-10-10 21:33
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Fiend Without A Face (1958) 3/5
2009-10-10 21:30
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Happy-Go-Lucky (2008) 3.5/5
2009-10-10 21:30
0.3 August, 2009
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2009-08-12 22:38Kitten with a Whip (1964) 3/5
The closest I ever came to seeing anything starring Ann-Margret was her tedious lullaby-singing appearance on The Flintstones. I still have only the vaguest idea why she was famous enough to merit inclusion on the show -- it's definitely not her acting. But aside from her scenery chomping, Kitten is actually one of the better drive-in juvenile delinquent films I've seen. Margrock is a teenaged reform school runaway who breaks into the home of a local politician, and then uses the compromising position of her very presence to blackmail him. Soon he's forced into helping out A-M's whole gang, lead by a bizarre Zen-monkish beatnik-thug. It's pretty ridiculous, but at least it tried hard to entertain, which is enough to put it ahead of a lot of these kind of films.
2009-08-12
0.3 July, 2009
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2009-07-31 20:41Brüno 3/5
What I liked about the Bruno character in Da Ali G Show were the segments that allowed Sasha Baron-Cohen to use his shallowness to make the arrogant and clueless confortable enough to expose their own vapidity. But instead of going that direction, the Bruno movie uses the character much more for shock value and confrontation. Problem is, Borat already did that, and did it a lot better. Bruno is funny -- sometimes very funny -- but it feels like a missed opportunity.
2009-07-31
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2009-07-31 20:39Public Enemies (2009) 3/5
A lot of people seemed to be bothered by shooting a period gangster movie with handheld digital, but I think it was incredibly effective, especialy during the action sequences. There's nothing I'm less interested in seeing than that burnished, buttery glow we usually see in movies set in the 1920s and 1930s. Unfortunately, the cinematography is the best part of the movie. Particularly bad is the central relationship between Depp's Dillinger and the dishwater-dull Billie Frechette -- there is simply nothing in Marion Cotillard's underwhelming performance that would make you think Dillinger would ever notice her, let alone make her the central figure of his life.
2009-07-31
0.3 June, 2009
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2009-06-26 06:44Reprise (2006) 2/5
Mark my words, "write what you know" will be the epitaph of the 20th century. A young novelist-filmmaker made this film about two young novelists and their awesome girlfriends and wacky circle of friends. It's pretty much the same too-cool celebration of writerly angst you've seen and read before, with plenty of Dogme 95 and "homages" to Truffault thrown in.
2009-06-26
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2009-06-26 06:44Independence Day (1996) 1/5
So after actually rather enjoying seeing things get smashed in Cloverfield, I thought maybe it was time to finally see Independence Day. I was wrong. There is never a time to see Independence Day.
2009-06-26
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2009-06-21 18:01Cloverfield (2008) 3/5
So on the one hand, I really hate movies that expect you to care what happens to a bunch of boring yuppie douchebags just because they're cool and pretty and have nice clothes. On the other, giant monsters destroying major cities is undeniably cool. (Just try to deny it -- can't be done.) The fact that said giant monster kills said douchebags is what makes this passable entertainment. That, and the scene where the dbags are standing around in the street filming the monster while a fat dude does the smart thing and hauls ass in the other direction.
2009-06-21
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2009-06-21 18:01Wendy and Lucy (2008) 4.5/5
En route to Alaska, a nearly-destitute Michelle Williams has her car break down in small-town Oregon, and then loses her dog. There are no quirky townspeople or saccharine melodrama or grand statements, just one person in one place in one situation, but the story is so well-told, I was completely engrossed from the opening scene to the credits.
2009-06-21
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2009-06-13 21:03Rachel at the Wedding (2008) 3.5/5
Alright, it's not my favourite genre -- the earnest-but-voyeuristic indie family melodrama, where everybody is just so troubled and good-looking and bobo as fuck -- but it's well-made (Johnathan Demme!), and my iPhone got me through the most interminable scenes. I'm glad I resisted the urge I had for the first 20 minutes or so to shut it off. (Also, future band name: "Bobo as Fuck".)
2009-06-13
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2009-06-06 21:21Lars and the Real Girl (2007) 2.5/5
I think it's to Ryan Gosling's credit that his characters is not far more annoying. He plays a lonely, small town sad sack who turns to a realistic sex doll for companionship, which he starts treating like a real person. This is pretty creepy, but the movie is much more interested in being "heartwarming" and "whimsical", so instead of having him committed, the entire town inexplicably has nothing better to do than indulge Lars while he works through his none-too-subtle personal issues. The one saving grace is that Gosling manages to make Lars and his interactions with the doll sympathetic instead of cloying, but that only makes the movie watchable, not good.
2009-06-06
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2009-06-06 21:02Le Samourai (1967) 4.5/5
Incredible piece of 1960s-issue existential Eurocool. Alain Delon is perfect as the ultraprofessional, icy-cool hit man who drifts through chic jazz clubs and rainy Parisian streets with a trenchcoat, a gun and a blue fedora. But it all starts to unravel as he comes into conflict with both the police and his employer. An absolutely fantastic piece of filmmaking that respects and rises above its genre origins.
2009-06-06
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2009-06-06 20:51Sukiyaki Western Django (2008) 2/5
Prolific Japanese crazyman Takashi Miike's take on the spaghetti western mixes gunslingers and martial arts in a comic-book universe of ridiculous marksmanship and phonetically-spoken English, but ultimately doesn't amount to much. The problem is, I never felt Miike has any special affection for -- or understanding of -- the genre, and as a result, the film seems both wrongheaded and smug. Casting Quentin Tarantino as a gunslinger-sage doesn't help.
2009-06-06
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2009-06-06 20:34Volver (2006) 4/5
In this campy (but heartfelt) melodrama of well-meaning mother-daughter murder teams and ghosts working as assistant hairdressers, the thing I found most implausible is that someone that looks like Penelope Cruz could ever be dirt poor or single. But that's probably missing the point. I've come to the conclusion that I probably lack the sensitivity to ever fully get caught up in Pedro Almodovar's stories of romantic Spanish poverty, but I'm enough of a film geek to totally enjoy his best work, such as this.
2009-06-06
0.3 May, 2009
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2009-05-18 18:54RocknRolla (2008) 3/5
I fully believe that despite his decade-long string of flops, Guy Ritchie is a truly talented filmmaker who has some great films ahead of him. This is not one of them. Don't get me wrong: it's fun, but it's just a little meh, too.
2009-05-18
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2009-05-18 18:45Killer of Sheep (1977) 4/5
Meticulous, haunting and beautiful. This is a film in the vein of Italian neo-realism, but it also comes across as very American (in a good, good way). It's essentially a series of short vignettes about one working-class family in Watts, Los Angeles. Some scenes seem like jokes or anecdotes, some are moments of characterization and some are just small everyday moments. And it all somehow fits together.
2009-05-18
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2009-05-03 11:38Kids in the Hall: Brain Candy (1996) 2/5
I was watching this movie (again) and wondering if it might not have been better if Dave Foley was in it for more than five minutes (again). And where is Dave Foley now? Doing nude scenes in Uwe Boll movies, that's where. Life is funny, isn't it?
2009-05-03
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2009-05-03 11:29Jurassic Park (1993) 3/5
It's effective entertainment, and the scenes with the raptors hunting are great, but without the 1993 impressiveness of the computer graphics, it's not a terribly meaty film -- more War of the Worlds than ET. And don't get me started on the film's cartoonish anti-science message.
2009-05-03
0.3 April, 2009
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2009-04-26 20:30The Getaway (1972) 3/5
An entertaining enough chase movie, and Steve McQueen is always great at being Steve McQueen, but even with Walter Hill and Sam Peckinpah behind the camera, this seems too safe, too studio, too out-of-touch. After seeing the period's thoughtful, existential road movies, like Vanishing Point, Point Blank and the incredible Two-Lane Blacktop, this slick, happy-ending actioner feels all the more like a missed opportunity.
2009-04-26
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2009-04-05 21:50The Lives of Others (2007) 3.5/5
I recall this film, about a 1980s Stasi agent and the writer he is assigned to surveil, was praised to the heavens when it came out, but I wonder if anybody is still championing it now. The problem I had is that there are some great intellectual ideas here, and a great performance by Ulrich Mühe, but the filmmaking is so heavy-handed and ponderous it feels like the life is being squeezed out of it. Not that it's a bad film overall, and I *do* see why it was so praised, but sometimes I think the Tasteful Depiction of Important Ideas has spelled the death of European cinema.
2009-04-05
0.3 March, 2009
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2009-03-23 22:38Secret Honor (1984) 2.5/5
Do you love the over-the-top scenery devouring at the end of There Will Be Blood, but wish that it had gone on for 90 minutes and also that it had been about Richard Nixon? If so, this is the movie for you. Philip Baker Hall plays a cartoonish, ranting, borderline-insane Nixon in what is essentially a one man play. It's directed by Robert Altman, so it has some cinematic cred, but I've been reading a lot about Richard Nixon lately, and I've never really seen him as the kind of guy who spent his post-Watergate years drinking, talking to his dead mother, barking like a dog and raving about global conspiracies. I guess it was probably gratifying to liberals who lived through the Nixon era to see him portrayed that way, though.
2009-03-23
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2009-03-15 21:50Vanishing Point (1971) 4/5
It's kind of hard to talk about this movie without comparing it to it's arty, existential road-movie doppelganger, Two-Lane Blacktop. So I will do just that, and say that TLB does the existentialism better, but this one has a lot more action. They're both great movies, but this isn't the one that sticks with me.
2009-03-15
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2009-03-15 21:33Le Cercle Rouge (1970) 4.5/5
Alain Delon, the epitome of 1960s Euro-chic cool, is a thoroughly professional master criminal who is released from prison and is drawn, more by fate than will, into planning and executing an elaborate heist. At the same time, he and his partner are being hunted by an equally brilliant and aristocratic detective. The centrepiece is the incredible heist sequence, which is real-time and dialogue-free, and which piles cool upon cool until all you can do is gape at it's awesomeness.
2009-03-15
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2009-03-15 21:20The Orphanage (2007) 3.5/5
A really elegant and unnerving horror film from Spain. Instead of shocks and gore (which I always find more funny than scary), it tries to scare you by creating characters you care about and putting them into creepier and creepier situations. Not every scene worked for me, but the ones that did were as effective as any I've seen in a horror movie.
2009-03-15
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2009-03-15 21:06Grease (1978) 4/5
Alright, I'll admit the highlight was watching it with Janelle while she gleefully told me how each scene shaped her younger self. But I still dug it. What can I say? I really do have a soft spot for musicals -- even when they're not great films per se. Only problem is, I found Olivia Newton-John to be kind of a bore (sorry, Janelle). I wanted to see more of Didi Conn's rebel-dork Frenchy! (Which I hear I can in Grease 2. Hmmm...)
2009-03-15
0.3 February, 2009
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2009-02-15 13:45Man on Wire (2008) 4.5/5
Incredible documentary about Philippe Petit's 1974 tightrope walk between the WTC twin towers. Hearing it described, it sounds like a stunt, but seeing the planning and execution turns it into something transcendental -- a kind of insane dream art. Particularly as seen through the eyes of Petit's then-girlfriend, who is a primary narrator. My only real complaint is that the movie is lacking decent footage of the walk itself, but in a way, that just lets it live more strongly in the imagination, where it belongs.
2009-02-15
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2009-02-15 13:35Ace in the Hole (1951) 4/5
It amazes me just how modern Billy Wilder's movies seem. While most of Hollywood was mired in turgid melodramas, good-guy/bad-guy westerns and musicals -- few of which have aged very well -- Wilder's unsentimental dissection of sensationalist journalism is so sharp and nuanced that it could have served as the template of season 5 of The Wire. In fact, maybe it should have.
2009-02-15
0.3
List generated by WP Movie Ratings.