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the haiku factory one hundred

Original post and background is here.

These are 100 movies that are my favourites — they’re movies I enjoy, and that I enjoy because they’re genuinely great films. Some are masterfully made, some simply hit a powerful personal chord, and few have a single element so brilliant they make up for other flaws. Following the critical concensus is not even an option for me, but I tried to avoid simply being contrarian, and I didn’t consciously try to reach any sort of balance — it’s not a mix of classics and new films, or obscure and well-known, or English-language and subtitled. If there’s a bias toward Asian cinema and 1990s indie films over European classics and Academy Award winners, that’s simply because my aesthetic tilts that way, not because I thought there should be more Kurosawa movies. If there aren’t many movies from the thirties, well, it’s because I liked what came before and after a whole lot better. At the same time, I have no problem putting classics like Citizen Kane and Singin’ in the Rain and Jaws on there, too.

Also, this is obviously not set in stone. I whittled down my original list from about 200 to 125 pretty easily, but of the last 25 I cut, pretty much any of them could have bumped something from this list off if I was in a slightly different mood.

Finally, I semi-arbitrarily have decided to only list movies I’ve seen at least twice. It’s shocking sometimes how much my opinion of a film can change between the first and second viewings. Between the second and third, no so much.

Now that that’s out of the way, here’s the list, in the best order ever: chronological order. This list may well be all you ever need to know about me.

The General (1927; Clyde Bruckman and Buster Keaton)
Pandora’s Box (1929; Georg Wilhelm Pabst)
Freaks (1932; Tod Browning)
Duck Soup (1933; Leo McCarey)
Bride of Frankenstein (1935; James Whale)
Citizen Kane (1941; Orson Welles)
The Maltese Falcon (1941; John Huston)
The Big Sleep (1946; Howard Hawks)
The Third Man (1949; Carol Reed)
Sunset Blvd. (1950; Billy Wilder)
Singin’ in the Rain (1952; Stanley Donen and Gene Kelly)
Ikiru (1952; Akira Kurosawa)
The Seven Samurai (1954; Akira Kurosawa)
Rear Window (1954; Alfred Hitchcock)
The Night of the Hunter (1955; Charles Laughton)
The Killing (1956; Stanley Kubrick)
Touch of Evil (1958; Orson Welles)
Some Like It Hot (1959; Billy Wilder)
North by Northwest (1959; Alfred Hitchcock)
The Apartment (1960; Billy Wilder)
Psycho (1960; Alfred Hitchcock)
Dr. Strangelove (1964; Stanley Kubrick)
The Good, the Bad and the Ugly (1966; Sergio Leone)
Point Blank (1967; John Boorman)
In Cold Blood (1967; Richard Brooks)
Le samouraï (1967; Jean-Pierre Melville)
Bonnie and Clyde (1967; Arthur Penn)
Night of the Living Dead (1968; George A. Romero)
2001: A Space Odyssey (1968; Stanley Kubrick)
The Wild Bunch (1969; Sam Peckinpah)
Even Dwarfs Started Small (1970; Werner Herzog)
El Topo (1970; Alejandro Jodorowsky)
Le cercle rouge (1970; Jean-Pierre Melville)
Aguirre, the Wrath of God (1972; Werner Herzog)
The Godfather (1972; Francis Ford Coppola)
The Long Goodbye (1973; Robert Altman)
The Wicker Man (1973; Robin Hardy)
The Parallax View (1974; Alan J. Pakula)
The Godfather: Part II (1974; Francis Ford Coppola)
The Conversation (1974; Francis Ford Coppola)
Chinatown (1974; Roman Polanski)
Jaws (1975; Steven Spielberg)
Love and Death (1975; Woody Allen)
Nashville (1975; Robert Altman)
Taxi Driver (1976; Martin Scorsese)
Network (1976; Sidney Lumet)
Annie Hall (1977; Woody Allen)
Dawn of the Dead (1978; George A. Romero)
The Warriors (1979; Walter Hill)
Stalker (1979; Andrei Tarkovsky)
The Empire Strikes Back (1980; Irvin Kershner)
Polyester (1981; John Waters)
Raiders of the Lost Ark (1981; Steven Spielberg)
Vernon, Florida (1982; Errol Morris)
Videodrome (1983; David Cronenberg)
This Is Spinal Tap (1984; Rob Reiner)
Repo Man (1984; Alex Cox)
Paris, Texas (1984; Wim Wenders)
Blue Velvet (1986; David Lynch)
The Princess Bride (1987; Rob Reiner)
Wings of Desire (1987; Wim Wenders)
Die Hard (1988; John McTiernan)
The Killer (1989; John Woo)
Trust (1990; Hal Hartley)
Goodfellas (1990; Martin Scorsese)
Miller’s Crossing (1990; Joel Coen and Ethan Coen)
Slacker (1991; Richard Linklater)
Terminator 2: Judgment Day (1991; James Cameron)
Hard Boiled (1992; John Woo)
Dazed and Confused (1993; Richard Linklater)
Naked (1993; Mike Leigh)
Groundhog Day (1993; Harold Ramis)
Pulp Fiction (1994; Quentin Tarantino)
Clerks. (1994; Kevin Smith)
Hoop Dreams (1994; Steve James)
The Legend of Drunken Master (1994; Chia-Liang Liu and Jackie Chan)
Fargo (1996; Joel Coen and Ethan Coen)
Chasing Amy (1997; Kevin Smith)
Little Dieter Needs to Fly (1997; Werner Herzog)
Buffalo ’66 (1998; Vincent Gallo)
Pi (1998; Darren Aronofsky)
Rushmore (1998; Wes Anderson)
The Thin Red Line (1998; Terrence Malick)
The Matrix (1999; Andy Wachowski and Larry Wachowski)
Being John Malkovich (1999; Spike Jonze)
Audition (1999; Takashi Miike)
American Psycho (2000; Mary Harron)
The Royal Tenenbaums (2001; Wes Anderson)
Donnie Darko (2001; Richard Kelly)
Mulholland Dr. (2001; David Lynch)
Oldboy (2003; Chan-wook Park)
Eternal Sunshine of the Spotless Mind (2004; Michel Gondry)
Shaun of the Dead (2004; Edgar Wright)
3-Iron (2004; Ki-duk Kim)
Grizzly Man (2005; Werner Herzog)
No Country for Old Men (2007; Joel Coen and Ethan Coen)
My Winnipeg (2007; Guy Maddin)
The Dark Knight (2008; Christopher Nolan)
WALL·E (2008; Andrew Stanton)
Inglourious Basterds (2009; Quentin Tarantino)

Notably absent: French cinema, aside from Jean-Pierre Melville (The Wages of Fear and Amelie both came very close); “traditional” Westerns (only High Noon even made my initial list); Fellini; Ozu; Soderbergh; Godard; Ford; Eisenstein; Lean; Renoir; The Wizard of Oz; Casablaca; Bonnie and Clyde (those last two were hard to cut). Only four of my picks won the Academy Award for Best Picture. Only three of the AFI top-ten made even my top 100: The Godfather, Citizen Kane and Singin’ in the Rain.

79 of the films are in English. 4 are in Japanese, 3 in Cantonese, 3 in German, 2 in Korean, 2 in French, 1 in Russian and 1 in Spanish. 2 were made with multiple languages. 3 are silent. 23 films are from the 1990s. 20 are from the 1970s. I actually do think those decades are the two high points of English-language cinema, so that wasn’t a surprise.

Two Canadian films made the list. I had several other short-listed, but I was forced to ask myself if I they were really my favourites, or if there wasn’t some national pride in there. The two that made it (Videodrome and My Winnipeg) really are among my favourites.

Four documentaries made the final cut, and two were by Werner Herzog, who also got two non-docs on the list. There are two animated films, and they are both from the 2000s, which either says something about me, or something about animation.

Directors with more than one film on the list: Werner Herzog (4); Akira Kurosawa (2); Billy Wilder (3); Alfred Hitchcock (3); Stanley Kubrick (3); Francis Ford Coppola (3); Robert Altman (3); Woody Allen (2); Martin Scorsese (2); Orson Welles (2); George A Romero (2); Rob Reiner (2); Wim Wenders (2); John Woo (2); Joel and Ethan Coen (2); Kevin Smith (2); Wes Anderson (2); Richard Linklater (2); Jean-Pierre Melville (2), Quentin Tarantino (2).

Only two films on the list were directed by women. Hey, at least it’s better than the AFI tally of zilch.

bonus! left off the list

As I said above, there were about two dozen films that could just as easily have made the cut. In no particular order, they are: Ran; Manhattan; Return of the King; Star Wars; Aguirre; Yi Yi; Kundun; Dead Man; Gates of Heaven; The Taking of Pelham One Two Three; McCabe & Mrs. Miller; Patton; Bonnie and Clyde; The Wages of Fear; Seconds; Yojimbo; Casablanca; A History of Violence; Amateur; Silence of the Lambs; Dead Alive; Blood Simple; The Tenant; Kill Bill; Last Life in the Universe; Psycho; Aliens; Unforgiven; Death Proof; Children of Men; Battle Royale; Spring Summer Fall Winter… and Spring; Once and The Proposition.